Aphasia BT
A meeting of Byzantine and Art Deco forms, Aphasia began as a series of handwritten captions to accompany drawings in the early 1990s. The drawings were abandoned to allow the lettering to become the...
font
Arkeo BT
Arkeo BT is designer Brian Sooy’s first typeface family published by Bitstream. Given very few design elements to work with, Brian has designed a bitmap font that is unique and very readable. There are...
Artane Elongated BT
Artane, Tony Fahy’s first typeface for Bitstream Inc., has a specific philosophy at the core of it’s creation. He decided he would try to create a Roman sans that would have the elegance of...
Big Limbo BT
This freeform exercise in typographic design echoes the looseness of early 1960’s advertising. Brian breaks almost every typographic rule we can think of — but so what? The bold letterforms of Big Limbo are...
Chervonec Uzkj BT
Possessing a distinctive Russian appearance, Chervonec Uzkj, or Chervonec Condensed, is a hybrid semi-serif designed by Russian designer Oleg Karpinsky. The typeface family includes three weights with drawn italics.
Cloister Open Face
Designed for ATF in 1913, Morris Fuller Benton’s version of Nicholas Jenson’s roman, the best of the Venetians and a model for regularity in color and fit.
Cruz Cantera BT
Cruz Cantera is a crisp and stylish yet informal sans serif typeface created by NYC type designer Ray Cruz. It is a slightly condensed design. The vertical strokes have rounded terminals, and there are...
Dom Diagonal
The most familiar of brush scripts designed by Pete Dombrezian for ATF in 1951.
Drescher Grotesk BT
Mr. Gogoll’s successful revival of Arno Drescher’s Super Grotesk was awarded the 1999 Kurt Christians Award. The Drescher Grotesk family consists of seven roman weights, including a version designed for use at small point...
Engravers’ Gothic
Gothic capitals of the same form as Copperplate Gothic, lacking only the oversharpened corners.