Maxi
Maxi is a very french linear, geometric sans typeface, that can be used in all latin languages. The Maxi Plus has narrow uppercase glyphs instead of lowercase letters and the uppercase glyphs are extra...
font
Moanin
»Moanin« is closely related to my »Julienne«, it has the same (388) set of glyphs that is fit for all European languages. Plus normal and old style numbers and a full set of numerators...
Nic
»NIC« (rhymes with “scenic”) is a completely new very elegant grotesk font family that has nice contrast in the up and downstrokes. »NIC« has its own, very special character. The font looks like it...
Nota Rounded
»NOTA-rounded« is the rounded version of »NOTA«, the new, narrow, technical font– designed by Gert Wiescher in 2014 and 2015 – has 7 weights with corresponding oblique cuts. The »NOTA« families are well suited...
Noticia
»NOTICIA« is my new Sans based on the modernistic, constructivist letterforms of the »Bauhaus« era. The names Herbert Bayer and Paul Renner come to mind as design beacons of that time. »NOTICIA« is different...
Noticia Rounded
Noticia Rounded is the extension of Noticia, my modernistic, constructivist font with that »Bauhaus« feeling. Names like Bayer and Renner come to mind as beacons of that time. Noticia is different in proportions and...
Rich Dingbats & Bursts
Rich Dingbats & Bursts was created with graphic designers in mind. I worked for a weekly newspaper, and finding different bursts was a challenge. You either had to draw your own (and who has...
Azur
»Azur« is my homage to the beautiful Côte d’Azur and the Provence Alpes Maritime Region. Scott Fitzgerald loved it in Antibes, Juan les Pins is famous for its Jazz, Cannes has that phantastic film...
Brute Sans
»Brute Sans« is a classic Sans typeface that looks like it has been designed by a chainsaw. »Brute Sans« looks really crude only in big sizes, the smaller the font gets the more it...
Classic Sans
»Classic Sans« is the Mother of all »Sans« typefaces. Around 1880 Ferdinand Theinhardt designed this Grotesk for use in scientific publications. By designing his font for the »Royal-Prussian-Academy of Sciences in Berlin« Ferdinand Theinhardt…