Audrey is an elegant monolinear Script and Sans font family. Audrey is great for designing headlines, packaging or as a logotype online or offline. Audrey has three weights of Script and Sans and a...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
Karl-Heinz Lange presented his first drafts of Rotola during a Typoart® type design competition in 1985 under the name “Boutique”. A year later, Norbert du Vinage, former manager of the type design department, integrated...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The typeface family TV Nord is based on the corporate typeface NDR Sans which was developed by Elsner+Flake for the Norddeutsche Rundfunk (www.ndr.de) between 1999 and 2001. This new design came into being as...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The script version of the typeface Viabella introduces us to the calligraphic side of the Berlin type designer and typographer Karl-Heinz Lange. The sketches for this script typeface, which resulted from the close cooperation...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 90th, when he studied Communication Design...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 1990s, when he studied Communication Design...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The font superfamily Vianova contains each 12 weights of Sans and Slab and 8 weights of the Serif style. The design from Jürgen Adolph dates back into the 1990s, when he studied Communication Design...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
The design of Kristall Grotesk is based on a cut by Wagner & Schmidt, Leipzig, from the 30s of the last century. The basis for the digital version of the Stiftung Werkstattmuseum für Druckkunst...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
Between 1958 and 1961, Herbert Thannhaeuser developed the typeface Liberta for Typoart as a broadly conceived newspaper type which established itself quickly. Its positive adaptation by publishing houses and printing companies was based, next...
by Staff · Published April 9, 2019
· Last modified May 17, 2024
Minimal, modular, modern—at first glance, Materia shows a contemporary flair, combining pure, strong geometrical form with a subtle, distinct appearance. Actually, the design was inspired by lettering from the turn of the 19th to...