Delfino Script is a cool, connecting script that can appear both retro and contemporary. Curved on the outsides of strokes, and jagged inside, the forms look like an abstraction of strips of tape, folding...
by Staff · Published April 9, 2019
· Last modified December 28, 2022
Engria is a type family of four weights with corresponding italics that treads the fine line between sans and serif. There are serifs, of a sort, inspired by the brush. Not the marks made...
by Staff · Published April 9, 2019
· Last modified December 28, 2022
Eroika Slab is a robust, display serif, intended to be set large. While for most serifs, display means high contrast, Eroika’s “displayness” stems from its wide stance, tight spacing, equal cap and ascender heights,...
by Staff · Published April 9, 2019
· Last modified December 28, 2022
Quarion is a clean, neo-humanist sans with a contemporary geometric approach. Its design started as an exploration of geometric fonts from the early 20th century, like Futura, Neuzeit Grotesk or Recta which allows the...
by Staff · Published April 9, 2019
· Last modified December 28, 2022
Rational is a contemporary representative of the Grotesk genre inspired by drawings dating back to the early 20th century. It is a highly utilitarian family focusing on clarity and simplicity by approaching the design...
by Staff · Published April 9, 2019
· Last modified December 28, 2022
Rational TW is the typewriter addition to the Rational family. It is a monospaced font building on the same principles as its proportional, neogrotesque brother, such as maximum legibility and flexibility while combining Swiss...
by Staff · Published April 9, 2019
· Last modified December 28, 2022
Sagona is a contemporary slab serif building on the clarendon/ionic model dating back to the 19th century. Like its most famous representative Clarendon, Sagona features strong serifs and a variable stroke contrast resulting in...
by Staff · Published April 9, 2019
· Last modified December 28, 2022
The market for humanistic sans serif type families is saturated, so what can a new release add, and what does it take to stand out from the crowd? Asterisk Sans Pro (named after my...
by Staff · Published April 9, 2019
· Last modified December 28, 2022
Astrid Grotesk is a normalized version of Schizotype Grotesk. Normalized; not neutralized. Where many neo-grotesks appear cold with their harsh neutrality, Astrid has a warmth, eminating from its (for want of a better word)...
by Staff · Published April 9, 2019
· Last modified December 28, 2022
In a typeface category that has been sorely under-represented until now, Aziga is a high (occasionally reversed) contrast, postmodern, deconstructed-reconstructed, serifless (mostly), fashion didone! Aziga lends itself to being set loud and proud…