Akko
The Akko typeface family is the first new design from Akira Kobayashi in a very long time – and it is well worth the wait. Picture an industrial strength typeface like the Isonorm™ design....
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Al Harf Al Jadid
Al Harf Al Jadid is a traditional-style Arabic display typeface. Al Harf Al Jadid Two is an outline version of Al Harf Al Jadid One. Although their design is ultra bold, its forms remain...
Aldus Nova
Hermann Zapf and Akira Kobayashi redeveloped Palatino for the 21st Century, creating Palatino nova. The Palatino nova family also includes revised versions of Aldus (now called Aldus nova). A bold weight is added into...
Avenir Next
Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass...
AdPro
Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts. Sehrer recommends this family for posters, logos, and restaurant menus. It works well with traditional sans serifs...
Wolpe Tempest
“It looks like it could have been designed last year,” says Toshi Omagari, the lead designer for The Wolpe Collection, about the original Tempest typeface. For Wolpe Tempest™, Omagari drew three weights and additional...
VAG Rounded Next
VAG Rounded Next brings a classic 1970s typeface up to date, keeping all of its easy going, approachable personality but adding some much-needed versatility and language support. Originally commissioned by Volkswagen, VAG Rounded remained...
Vala
Vala™ dances across printed pages and shines on screen. This is a high-energy design that blends the grace of an English Roundhand script with the gravitas of an extra bold Bodoni. There is even...
Victorian Silhouette
Victorian Silhouette is a decorative all-capitals face made up of small silhouettes of people engaged in different activities. Before photographs were readily available, portraits were commissioned in the form of silhouettes, and these were…
Wola
Wola™, by Franciszek Otto, is not for the typographically timid. It creates vibrant digital headings, banners and navigational links, in addition to commanding print headlines and subheads – but it is not shy, reserved...