Malden Sans
Malden Sans is a mischievous grotesque sans serif with charming details that gives designers a solid typographic voice. It was created by Michele Patanè with regular and condensed widths, as a utilitarian typeface family...
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Masqualero
The Masqualero™ family is a versatile solution for a deep and broad range of applications. In large sizes, the heavier designs are dark and handsome, while the lighter weights are charming and friendly in...
Endurance
Endurance Pro was designed by Steve Matteson to fill the need for a more graceful, less industrial-looking neo-grotesque sans serif design. The name Endurance lends itself to the reality that the typeface was designed...
Felix Titling
An all-caps titling font designed by the Monotype Drawing Office in 1934, based on an alphabet designed by Veronese calligrapher Felice Feliciano in 1463.
Helvetica Now
Every single glyph of Helvetica has been redrawn and redesigned for this expansive new edition – which preserves the typeface’s Swiss mantra of clarity, simplicity and neutrality, while updating it for the demands of...
Hesse Antiqua
Hesse Antiqua is the very first typeface designed by Gudrun Zapf von Hesse. It was a pioneering project originally created by her over 70 years ago as a set of brass punches to stamp...
Hideout
Jim Ford’s Hideout typeface is definitely walking on the wrong side of the law. Inspired by the flared serif lettering of antique tobacco tins, its sturdy shapes are confident, eye-catching, and hark back to...
Hombre
Hombre™ is a sure-fire attention-getter for projects requiring a straight out of the old west flavor. Authentic, weather-beaten, time-ravaged, and a bit haphazard, it’s also a sure-fire attention-getter. Drawn by Thomas Oldfield and loosely...
Between
Akira Kobayashi’s Between™ typeface comes in three main states. While different from each other, they all offer human-centered design to ensure that copy set in them is affable and approachable. An added benefit is...
Biome
In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to...