Inglesa
In the past, in Argentina, it was common to attend to calligraphy classes during the first years of high school. That experience left a mark on me that over the years mixed up with...
font
Hejira
Hejira means “rupture” and this concept was the primary principle that guided the creation of this typeface: to escape conventions and take up the challenge of designing letters with an unusual and fresh approach....
Epica Pro
Epica is a contemporary interpretation of the Venetian Renaissance types. A humanist type family with a contemporary design. This family encompasses different typographic scenarios with emphasis in style and functional equilibrium. Its letterforms…
Apothicaire
Apothicaire is a new font designed by Ale Paul and the Sudtipos team that is inspired in, but not limited to, an antique style casted by a German type foundry during the late XIX...
Regional
Sudtipos is really proud to announce the release of Regional, a solid workhorse type family of 27 styles inspired by the Old Style Bold models from the late XIX century by different type foundries....
Magari
Partially inspired by the mid XIX century german condensed serif typefaces –and a clear connection to Italian classics– Magari extrapolates that idea of fusion to a new level, getting a unique variable font file,...
Espiritu
Espíritu is the first font illustrated and designed by talented Graphic Designer, lettering artist, illustrator and musician Agustín Pizarro Maire.For this entirely made-by-hand project, Agustín pushed his limits forward, significantly improving his…
Vastago Grotesk
We are pleased to announce the launch of Vástago Grotesk, a nine-weight sans serif font family, inspired by the traditional grotesque designs of the 20th century. The particular ink traps, result of the G...
Plethora
A few years ago I’ve discovered the work of one of the most prolific typeface designers of the Bruce type Foundry in NYC during late nineteenth century. Browsing Julius Herriet’s work I found a...
Organica Pro
Just as most buildings are based on a structure of vertical columns, horizontal floors, square angles and the occasional arch, most Latin typefaces are designed within a largely uniform, static, alphabetic structure that provides...