The intention with Capo was to make a typeface with a pinched, angled connection between curves and verticals. We have explored this incised, cut motif previously on typefaces, most notably Noah, Sabre and Harbour....
by Staff · Published October 10, 2015
· Last modified December 27, 2022
I generally refer to our typefaces as ‘graphic’ rather than typographic. By that I mean their starting points are usually ways of constructing shapes and systems of shapes. As with other Alias typefaces, Sabre...
by Staff · Published October 10, 2015
· Last modified December 29, 2022
Synopsis draws inspiration on the classic proportions and letterforms of old romans. In addition to this a new modern twist has been infused to it, giving it a dimensional double stroke or virtual inline...
by Staff · Published October 10, 2015
· Last modified May 13, 2023
Pieve (means community): The idea was to create a gestual and fresh typeface, almost rustic and sometimes elegant, a Latin typography popular and irreverent. This font comes with stylistic variations that highlight their regular...
by Staff · Published October 10, 2015
· Last modified September 16, 2020
A New Look At Geometry Ever since calligraphic letterforms evolved into type, people have tried to rationalize the lines and curves of letter shapes into geometric forms. As far back as the 15th century,...
by Staff · Published October 10, 2015
· Last modified December 28, 2022
Giulietta is a handwritten, fully connected script with ligatures and contextual alternates to help with flow and readability. It can be used for invitations, greeting cards, posters, advertising, weddings, books, menus etc. Giulietta pro...
by Staff · Published October 10, 2015
· Last modified December 29, 2022
Averta Standard is the basic version of Averta. Bringing together features from early European grotesques and American gothics, Kostas Bartokas’ (Greek: ‘αβέρτα’ – to act or speak openly, bluntly or without moderation, without hiding)...
by Staff · Published October 10, 2015
· Last modified May 13, 2023
Many calligraphers agree that Roman Capitals is one of the most beautiful yet difficult hands to master. Its beauty lies in its simplicity of form and structure, yet understanding and applying these skillfully can...
by Staff · Published October 10, 2015
· Last modified October 18, 2015
Back to the past when the old building and the beauty of a old store decorated by distinctive signage. With a clear feels of authentic historical value and the today’s needs must be balanced...