Stereo
Stereo was designed by Karlgeorg Hoefer and built with an unusual understanding of the play of casual form in building a fictional third dimension. A powerful exercise by a master of figure-ground relations, Stereo...
font
Sophia
Sophia is a display font that strikes the perfect balance between classic and modern, combining serif and sans serif styles in a unique way. Its timeless appeal makes Sophia a great choice for stylish...
Sloop
Sloop offers the adventurous typographer wide choices of variant forms in three weights of a classically elegant script. Richard Lipton suggests setting text lowercase in Sloop One or Two, capitals in One or Three,...
AntsyPantsy
AntsyPantsy, BuggyFont, and MousyFont are based on the same design; only the building blocks—ants, bugs, and a stylized mouse—have been changed.
AndrewAndyStencil
AndrewAndyStencil is a sans-serif, stencil font in two weights derived from the Ingrimayne font AndrewAndreas.
AndrewAndyCollege
AndrewAndyCollege is an outlined font derived from the Ingrimayne font AndrewAndreas, a san-serif face. In 2018 the inside and the middle ring were separated out and made independent fonts. They can be used alone,...
AndrewAndreas
AndrewAndreas is a simple, clean, sans-serif font family that is highly legible and useful for both text and display purposes. The original three weights were designed in 1994 and three additional weights plus oblique...
AcornSwash
Sans-serif with ornate, swashy capitals, AcornSwash is an elegant decorative face. The differences between the two versions of the font are in letters I, Z, a, e, f g, j, k, and o.
Skyline
Skyline was commissioned from Font Bureau by Condé Nast specifically as headletter for Traveler magazine. This strongly personal work of Imre Reiner from 1929 and 1934 was known in Europe as Corvinus. Skyline Black...
Showcard Moderne
Early in the 20th century, American commercial lettering took on a new vitality, paralleling the formalities of typography while embellishing and sometimes mocking them. The bible of this trade is probably William Hugh Gordon’s...