Rigid girds and narrow design parameters might result in beautiful and useful typefaces. Bs-Mandrax consists in three weights in upright and an italic to match with the regular weight. Four fonts that might solve...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
I love stencil letters! And some ‘stencil’ typefaces are nice as well! Another stereotype! The good thing about stencil letters is its mechanism, the way letters are reproduced! While not being typographic, stencil lettering...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
That’s what people call ‘an experimental typeface’. Yes it is! It consists in letterforms designed in very strict geometrical parameters. I was not thinking about ‘reading’ when I’ve drawn this typeface — rather on...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Geometric letters are a stereotype of our mental image of lettering. You see letters like those of Bs-Kombat everywhere! To draw a set of ‘well’ balanced letters one would make a rigid grid and...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Designed in 1999, Bs-Archae plays with the concept of the ‘popular’ ‘bitmaped’ ‘screen’ fonts. While preserving some of the characteristics of those particular ‘styles’, it goes beyond the idea of making something that looks...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Neuropol X is a broad futuristic typeface with smooth, plastic letterforms. Truncated, rounded strokes evoke visions of lasers, circuit boards, and oscilloscope vectors. This is an enhanced version of the original Neuropol (1996) that...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Neuropol Nova is a chilly and distant 70th century typeface based on Neuropol X. Stark with strategic overtones, Neuropol Nova pushes the envelope of letter form recognition to ultra-futuristic levels. The sparsely connected patterns...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
The Momentum family of typefaces is not for the faint of heart. Although difficult to spot at small point sizes, the glyphs are nothing but dot-to-dot letterforms raggedly, haphazardly placed for a chunky appearance....
by Staff · Published May 26, 2015
· Last modified October 6, 2015