Asterisp is a set of gorgeous 4,5,6,7,8,9,10,12 and 13-sided asterisks in a bevy of styles. A few flashes, flowers, stars, splats and balloons are included along with outlined and 3D variations. They can be...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Chunkfeeder was inspired by the many vernacular forms of lettering created for high speed printing and electronic displays found in our modern techie world such as postal packing slips, airline tickets and informational video...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Meyer Two captures the early Hollywood flavor and nostalgia of silent film intertitles. From 1922 through 1928, Linotype cut five fonts to Louis B. Meyer’s personal specifications. Meyer Two, drawn in 1926, curiously combines...
by Staff · Published May 26, 2015
· Last modified October 13, 2015
Warm & casual, Mesa exudes a youthful energy through the varied and informal rhythms found only among the best of informal scripts. While visiting Font Bureau as an intern from Yale University during the...
by Staff · Published May 26, 2015
· Last modified October 17, 2015
Richard Lipton designed this spirited oldstyle for Font Bureau; the romans gain their energy from French baroque forms cut late in the sixteenth century by Robert Granjon, the italics from Dirk Voskens’ work in...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Mantinia, designed by Matthew Carter, is a titling face inspired by the letterforms painted and engraved by Andrea Mantegna, artist of the Italian Renaissance and one of the first to study and revive the...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Leslie Cabarga has returned to the streamlined scripts prepared by industrial designers at mid-century for the inspiration of this Font Bureau display series. The Magneto trio recall the chrome-strip lettering laid over the rounded...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Impact wide was developed from the designer’s original drawings for the production of ‘Impact’ metal type, with many detail changes because of the density of the letters. These include the restoration of the bevelled...