In the two ChainLetter fonts all characters are made from chains links. ChainLetter uses smaller chain links than ChainLetterAlt and as a result is easier to read. Both are caps-only typefaces, but some of...
by Staff · Published May 26, 2015
· Last modified May 17, 2024
Cennerik is a plain, sans-serif typeface with rounded ends. It comes in five weights: light, regular, semibold, bold, and extrabold and each weight has both upright and italics styles.It was originally designed in 1992...
by Staff · Published May 26, 2015
· Last modified May 17, 2024
Initially conceived by Matthew Butterick as a Bulmer revival, Wessex took on characteristics of Baskerville and Caledonia as design proceeded. In 1938, W.A. Dwiggins had taken the hard necessities of the non-kerning line-caster italic...
by Staff · Published May 26, 2015
· Last modified December 29, 2022
Frederic Goudy’s Village typeface was originally used exclusively for his Village Press publications. Designed in 1903, Village is a Venetian book face with sturdy, open forms. Steve Matteson digitized this typeface from books printed...
by Staff · Published May 26, 2015
· Last modified October 16, 2015
Tasse can be seen as a straight-sided Futura, a design useful wherever Futura and its derivatives might apply. Developed from Topic, also known as Steile Futura, it is a letterform that Paul Renner himself...
by Staff · Published May 26, 2015
· Last modified May 17, 2024
In the 1990s Adobe’s MultipleMaster technology introduced interpolation into font editing programs. Though the obvious use of interpolation was to create an unlimited number of weights for a font, interpolation could also be used...
by Staff · Published May 26, 2015
· Last modified May 17, 2024
In the 1990s Adobe’s MultipleMaster technology introduced interpolation into font editing programs. Although the obvious use of interpolation was to create an unlimited number of weights for a font, interpolation could also be used...