Graphic designers tend to lose that machine-precise engineer handwriting some are taught in school. Their more abstract creative nature filters through, and you end up with a more loose, fun print. Modeled after several...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Based on a combination of 1950’s advertising and Nate Piekos’ own cursive handwriting, EAST SIDE is named after the historical district of Providence. Regular and Italic included.
by Staff · Published May 26, 2015
· Last modified May 17, 2024
Berlin Sans is based on a brilliant alphabet from the late twenties, originally released by Bauer with the name Negro, the very first sans that Lucian Bernhard ever designed. Assisted by Matthew Butterick, David...
by Staff · Published May 26, 2015
· Last modified October 5, 2015
The Belucian series offers a distinguished text design supported by dynamic headline structure. In need of a distinctive display style, Smart magazine asked Font Bureau in 1990 to revise the work of Lucian Bernhard...
by Staff · Published May 26, 2015
· Last modified October 8, 2015
The eight-part Belizio series updates the first Font Bureau typeface. David Berlow’s family is based on Aldo Novarese’s Egizio, designed in 1955 for Nebiolo. It was first prompted by the popularity of Haas Clarendon...
by Staff · Published May 26, 2015
· Last modified October 11, 2015
The five-part Barcode series offers an ultra condensed design where successive styles are all the same weight, an experiment for the type designer and user in character interaction as the form of the typeface...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Lettering artist and graphic designer Leslie Cabarga has been charmed all his life with the eccentricities in amateur lettering, especially those found in logos and sign painting. The single font of BadTyp combines all...
by Staff · Published May 26, 2015
· Last modified May 13, 2023
Friedrich Neugebauer is known for the cutting power of his calligraphic invention. As a prisoner of war in Egypt, he wrote with toothpaste when all else failed. The irrepressible style of this Austrian artist...
by Staff · Published May 26, 2015
· Last modified October 15, 2015
Tobias Frere-Jones began Armada in 1987. An experiment in algorithmic design, Armada follows the verticals and flat arches so often to be found in the architectural geometry of cast iron and brickwork in nineteenth-century...