Anarcharsis
Anarcharsis was inspired by incomplete rubbing made from a stone wall located in the Bahamas. The character set was completed and modified to better suit digital type. The imperfections and quirkiness of the hand-carved...
font
Blambot Casual
Dozens of International characters! Regular, Italic, Bold and Bold/Italic included. In 2001 a new trend began in comics lettering which typically until then had been all capital letters. The problem created by lettering comics...
Super Glue
An upright futuristic double lined font, steady as hell!
Slowmotion Girl
A crunchy, yet romantic font. Another word that could describe the font is “delicate”.
Rhode
Generous curves above and below the straight-sided Railroad Gothic parallel those of Figgins’ elephantine Grotesques, lending both British and American series their monumental qualities. Shrinking center strokes and counters to emphasize a massive…
Reiner Script
Loose and angular, this typeface was originally designed by Imre Reiner for the Amsterdam Typefoundry in 1951. Attracted by its free-form structure and unique texture, Tobias Frere-Jones revived the original design from handset proofs...
Reactor FB
First drawn in 1993 by Tobias Frere-Jones for Neville Brody’s Fuse magazine, FB Reactor combines abraded forms with Tesla’s theory of destruction through accumulating rhythmic points of noise. The ‘Derelict’ style offers choices of...
Ravie
Rave v. To talk wildly, as in a delirium; to talk or write with extravagant enthusiasm; to utter as if in madness. This wildly delirious, extravagantly enthusiastic, utterly mad typeface was drawn by Ken...
Rats
Spare and lighthearted, Rats was inspired by the personal hand of the illustrator Scott Nash. Its small body height and tall ascenders support an oldstyle spirit drawn from early second-century Roman cursive scripts. Rats...
Old Roman
Intrigued by typefaces of the late 18th and early 19th centuries, the designer was surprised to find no digital renderings of the popular Old Roman typeface. This font is the designer’s interpretation of this...