Eyebel
Eyebel was an attempt to form letters as simply as possible using only straight lines but still have them legible. The family is low contrast and has a boxy look. Eyebel-Ruff was formed by...
font
CompassOne
CompassOne was a design I began in 1990 or so, but did not bother to finish until five years later. Its name comes from the fact that all the letters could have been drawn...
Baumfuss
Baumfuss and BaumfussTwo are unpolished, crude typefaces with small flared serifs and very few straight lines. They are a bit heavy to be easily readable at smaller point sizes. Baumfuss has a high x-height,...
TagBoyHardcore
TagBoyHardcore is based on my own tagging style when I did graffiti in the mid-eighties. The font is roughly scanned and spaced narrowly in order to keep the original bad boy style. Pump up...
Omegalomania
What to say about this font? It’s loveable! Go write a letter with this baby!
Mr Fahrenheit
A somewhat chunky loose childish handwriting font! Perfect for almost anything!
Alpha Bloc
Clotilde Olyff challenges and surprises us. Legibility fonts are above all familiar designs, seldom shocking us visually. Alpha Bloc and Geometrique explore alphabetic form, stretching recognition, teasing, surprising, thrilling us with unfamiliar…
Alhambra
Alhambra font is perfect for many of your projects like logos & branding, photography, invitations, watermarks, advertisements, product designs, stationery, wedding designs, labels, product packaging, special events and much more.
Agency FB
ATF Agency Gothic was designed by Morris Fuller Benton in 1932 as a lone titling. In 1990, David Berlow saw potential in the squared forms of the narrow, monotone capitals. He designed a lowercase...
Aardvark
Aardvark: Africaans, “earthpork” or “groundpig,” anteater. In 1991, John Benson designed Aardvark “as an eye-catching letter to evoke the look of African tribal designwork, Franklin Gothic Condensed, perhaps, seen through the eyes of a...