Blandly glowing strings of letters in chemical colors call forth endless memories of bars and restaurants, of beer and hot dogs, of casinos on the Las Vegas Strip, the acme of neon. Gas-filled, bent-glass...
by Staff · Published May 26, 2015
· Last modified May 17, 2024
Miller, designed by Matthew Carter, is a “Scotch Roman”, a class of sturdy, general purpose types of Scottish origin, widely used in the US in the 19th century, but neglected since and overdue for...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Eight designers present a set of icons that indicate the fun and fantastic world of signage. Each collaborator’s solution represents a completely different interpretations on signage vernacular. Akira Kobayashi’s “Subsumption”, obscured by foliage…
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Asterisp is a set of gorgeous 4,5,6,7,8,9,10,12 and 13-sided asterisks in a bevy of styles. A few flashes, flowers, stars, splats and balloons are included along with outlined and 3D variations. They can be...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Chunkfeeder was inspired by the many vernacular forms of lettering created for high speed printing and electronic displays found in our modern techie world such as postal packing slips, airline tickets and informational video...
by Staff · Published May 26, 2015
· Last modified October 19, 2015
Meyer Two captures the early Hollywood flavor and nostalgia of silent film intertitles. From 1922 through 1928, Linotype cut five fonts to Louis B. Meyer’s personal specifications. Meyer Two, drawn in 1926, curiously combines...
by Staff · Published May 26, 2015
· Last modified October 13, 2015
Warm & casual, Mesa exudes a youthful energy through the varied and informal rhythms found only among the best of informal scripts. While visiting Font Bureau as an intern from Yale University during the...