Krooked Teeth
The inspiration of the name of the font comes from a song by Smashing Pumpkins, but the real reason why I named the font “Krooked Teeth” is that the font has got a crooked...
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Loupot
In 1948, French designer Charles Loupot drew a revolutionary logotype to promote St. Raphael mineral water. Half a century later, the qualities of this logo inspired New York designer and illustrator Laurie Rosenwald to...
Lafayette
Are you trying to find a beautifully stylish font to make your brand prominent? We have what you need.Lafayette, specifically designed in a swash package, is a handwritten font with a little brush style...
Kniff
Kniff was designed and digitized by Emo Risaliti, distinguished Italian graphic designer, as a Font Bureau commission. He drew on extreme geometric styles of the nineteen-thirties to produce an Art Deco triumph, an ultimate...
Ironmonger
Ironmonger was inspired by lettering painted on masonry walls and fascia signs of warehouses and factories in older American cities. The slab serif capitals and figures are made up of precisely plotted and carefully...
Interstate Pi
These four pi fonts contain the basic set of highway signs, with their symbols, to properly support literal use of the Interstate family. Auxiliary solid forms allow for rendering in color, as well as...
Interstate
Familiarity lies at the heart of legibility. Interstate is based on the signage alphabets of the U.S. Federal Highway Administration, letterforms absorbed at a glance everywhere we drive. Interstate provides a real edge in...
Hoffmann
Richard Lipton designed the Hoffmann family from letters drawn and then cut out of paper as free-standing forms by contemporary Michigan lettering artist Lothar Hoffmann. Lipton follows creative development of contemporary lettering forms closely…
Hip Hop
Jill Pichotta captures the driving rhythms of hip hop music in the gesticulating forms of this dancing pair of typefaces, HipHop Demi and its syncopated twin, HipHop Inline. The repeated hesitations in the music...
Hightower
In 1994, Tobias Frere-Jones completed Hightower for the Journal of the American Institute of Graphic Arts. For as long as he had drawn letters, he had wrestled with the problems posed by any modern...