Schriftguss and Woellmer called it Hermes; Berthold called it Block. Heinz Hoffmann’s 1908 design inspired FB Hermes, which evokes the German grotesks that were workhorses of factory printing 100 years ago. Blunt corners suggest...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Sheet music from the 1921 edition of the Ziegfeld Follies provided the blueprint for this sparkly, sprightly font. Upper and lowercase characters are identical, with the exception of the letter s, which offers a...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
The original sheet music for Ted (Is Everybody Happy?) Lewis’ signature tune, When My Baby Smiles at Me, inspired this whimsical wonder. The sheet music was discovered in the Library of Congress American Memory...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A classic typeface with timeless appeal, based on the venerable Weiss Initials II, designed by Eric Rudolf Weiss for Bauersche Gießerei in 1931. Essentially a monocase font, this version also includes variants located at...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This typeface takes its inspiration from Will Bradley’s Ultra Modern Initials, released by American Type Founders in 1934. Unlike the caps-only original version, both versions of this font contain complete Unicode 1252 (Latin) and...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
A travel poster from the 1940s for Mexican tourism provided the inspiration for this voluptuous font with a strong architectural feel. A few unexpected idiosynracies in the letterforms add to its charm. Both versions...
by Staff · Published May 26, 2015
· Last modified October 6, 2015
The incisive appearance of the economical Herald Gothic headline is given by the bevelled corners to the characters, a practice common in the eighteen-seventies for news heads. This font family is based upon a...
by Staff · Published May 26, 2015
· Last modified October 17, 2015
Of all his work, C.H. Griffith claimed one type, Bell Gothic, as his own design. Griffith Gothic is a revival of the 1937 Mergenthaler original, redrawn as the house sans for Fast Company. Tobias...
by Staff · Published May 26, 2015
· Last modified October 16, 2015
The sixteen styles of Giza bring back the colorful power and variety of the original Egyptian letterforms, a glory of the Victorian era. Designer David Berlow based the family on showings in Vincent Figgins’...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This in-yer-face kinda face is based on a broad brush font from “The New ABC of Showcard & Ticketwriting” by C. Milne, published in Australia in the late 1930s. Brought to my attention by...