D44 Caps
D^44 Caps represents a sort of inverted creative process: start from the printed element to create the font to print. The esthetic analysis of pression’s missprint is the origin of D^44 design. The redesign...
font
Nure
Nure™ is a variable font family designed in 3 axes (Weight, Optical, Width) to cover all the graphic design needs.Thanks to 11 OpenType Stylistic Sets, Nure™ is one of the most flexible typefaces of...
Seitu
This variable font is a Fabrizio Schiavi typographic interpretation and development of the legendary coop logotype designed by Albe Steiner and later improved by Bob Noorda in 1985
P22 Corinthia
A truly unique script, Corinthia has a free-flowing charm that is lacking in other more traditional, sophisticated Copperplate styles. Its beauty stems largely from the way the characters flow into one another. The unrestrained...
P22 BlancoNeg
BlancoNeg was inspired by the lettering of Saul Bass with some thoughts of Op-Art. Each character relies on the positive and negative spaces of its neighboring letters to help define its own shape. This...
P22 Bangersfield
Bangersfield is a four-member font family from Robby Woodard. With line treatments clearly inspired by cased meat products, these fonts function as a healtier alternative to Comic Sans. The casual hand lettering works well...
P22 Tuscaloosa
Tuscaloosa is a hybrid script that includes Tuscan (bifurcated) serif treatments. The design of Tuscaloosa began as a set of organically-formed initials, the Tuscan serifs being reminiscent of shoots and leaves bursting forth. Tuscaloosa...
P22 Schneeberger
In this font from graphic arts veteran Tracy Sabin, his trademark whimsy and playfulness are exhibited in spades. Sabin takes a multitude of influences, from mid-century art nouveau to today’s pleasant dream-pop doodles, and...
P22 Muschamp Pro
Prolific illustrator and veteran typographer Tracy Sabin draws on more than 40 years of multi-disciplinary design experience to bring us Muschamp Pro, a loopy, bouncy, free-form alphabet adaptable for many uses. It embodies the...
P22 Clementine
A bit of Victoriana whimsy from this set of two fonts is heavily inspired by a variety of 19th Century faces without being a direct revival of any one in particular. Undulating curves, swirly...