Fontology
Fontology-E is an experimental font designed by Fabrizio Schiavi. It was created for the cover of the Fontology catalogue. Schiavi’s need was to build an optical false modulation effect with versions of the logotype...
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Exit
Exit is my first typeface (designed in 1988). The relationship to Neville Brody’s work is evident but with personal touch
D^44 Caps
D^44 Caps represents a sort of inverted creative process: start from the printed element to create the font to print. The esthetic analysis of pression’s missprint is the origin of D^44 design. The redesign...
CP Company Flash
CP Company Flash is the version of CP Company designed for use in Adobe Flash. Available in three versions: Big to be used at 16pt, Medium at 16pt and Small at 8pt. Originally designed...
Old Paris Nouveau
Old Paris Nouveau is based on letterpress stylings of modern roman alphabets from the 1920s. Adapting the nouveau sensibility to the digital age required several conventions, including several alternate glyphs for specific individual letterforms...
Beachbuoy
Beachbuoy floats on the foamy surface of fun, rising & falling with the waves. Lower case characters take a siesta when it comes to the baseline, an oasis away from mainland rules. Tropical and...
Garamond No. 3
Eighty years ago the mannered work of the seventeenth century protestant punchcutter, Jean Jannon of Sedan, was confused with that of Claude Garamond and was widely copied as his. This version, designed for American...
Gando
The classical French Ronde, as it appears in the work of Nicholas Gando in the middle of the eighteenth century, adapted for photocomposition at Mergenthaler in 1970 by Hans Jurg Hunzicker and Matthew Carter....
Engravers’ Roman
A set of capitals popular with American engravers and typefounders through the last third of the nineteenth century, shown under this name by ATF in 1903.