A.M. Cassandre’s original and trend setting stressed sanserif which mixes capital and lowercase forms. Designed in 1937 with Charles Peignot for Deberny & Peignot, this face has almost become a symbol for France and...
by · Published May 26, 2015
· Last modified October 13, 2015
In 1929 Chauncey Griffith at Mergenthaler commissioned W.A. Dwiggins to design a warmer and less mechanical Geometric Sanserif to compete with Futura. Dwiggins’ best efforts proved that human warmth had little to do with...
by · Published May 26, 2015
· Last modified October 17, 2015