Chassis
A hefty, powerful geometric sans with weight and presence. The unusual counters are defined by lines which cut into the letter shapes.
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Valvolina
Valvolina is a bold headline font inspired by Italian Futurism and the Moderne graphic design of the inter-war period. It uses elementary geometric shapes to build its characters, lending it an energy and punch....
Cynosure
Cynosure is a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar monoline sans faces.The wide range of weights...
Broadside Text
Broadside Text is a companion to Broadside, and is optimised for use at smaller sizes. More open counters, more generous letter-spacing and additional fractions increase legibility. The original Broadside family is suitable for headlines...
Guildhall
Class, with a punch. It’s rare to find fonts that are refined without being too delicate, stylish while still being bold and impactful. Guildhall is a heavy rectangular flared serif in face widths with...
Paralucent Slab
Paralucent Slab is an addition to the ever-popular Paralucent family. Paralucent is versatile all-purpose modern sans and slab serif design. Available in seven weights, from Thin to Heavy, with corresponding italics, it avoids some...
Maximum
Bold, punchy and attention-grabbing, Maximum is an extended sans serif with obround curves that fills the space on the page due to its tight spacing and short ascenders and descenders. Recommended for posters, packaging,...
Salient
Elegant, classic yet contemporary. Salient is a updated interpretation of the Didot school of type design, typified by Giambattista Bodoni in Italy and the “modern” French styles of high-contrast fonts cut by Fermin Didot...
Tracker
Tracker is a geometric twin-line font reminiscent of space-age disco designs of the 60s and 70s, but entirely reexamined, rationalised, redesigned and updated for contemporary use. Best seen in shorter, punchier settings and at...
Bradbury Five
A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the...