Class, with a punch. It’s rare to find fonts that are refined without being too delicate, stylish while still being bold and impactful. Guildhall is a heavy rectangular flared serif in face widths with...
by Staff · Published December 27, 2022
· Last modified May 17, 2024
Paralucent Slab is an addition to the ever-popular Paralucent family. Paralucent is versatile all-purpose modern sans and slab serif design. Available in seven weights, from Thin to Heavy, with corresponding italics, it avoids some...
by Staff · Published December 27, 2022
· Last modified May 17, 2024
Bold, punchy and attention-grabbing, Maximum is an extended sans serif with obround curves that fills the space on the page due to its tight spacing and short ascenders and descenders. Recommended for posters, packaging,...
by Staff · Published December 27, 2022
· Last modified May 17, 2024
Elegant, classic yet contemporary. Salient is a updated interpretation of the Didot school of type design, typified by Giambattista Bodoni in Italy and the “modern” French styles of high-contrast fonts cut by Fermin Didot...
by Staff · Published December 27, 2022
· Last modified May 17, 2024
Tracker is a geometric twin-line font reminiscent of space-age disco designs of the 60s and 70s, but entirely reexamined, rationalised, redesigned and updated for contemporary use. Best seen in shorter, punchier settings and at...
by Staff · Published December 27, 2022
· Last modified May 17, 2024
A stylish cartoon sans reminiscent of lettering by Harvey Kurtzman on early issues of Mad, or other casual mid-century types. The three widths give full versatility for expressive, customised headlines and layouts, while the...
by Staff · Published December 27, 2022
· Last modified May 17, 2024
Cynosure Soft is a rounded, friendly version of Cynosur, a humanist sans with a subtle thick/thin stress. This gives it a clean, sharp elegance and precision that can be missing in some more familiar...
by Staff · Published December 27, 2022
· Last modified May 17, 2024
The concept is “Geo-Soft”: characters are constructed from arcs of circle connected by orthogonal straight lines, with few diagonals and nary a sharp corner. The effect has an engaging tension, as soft edges are...
by Staff · Published December 27, 2022
· Last modified May 17, 2024
What intrigued me about Buslingthorpe was the virtuoso challenge it presented, of designing a typeface that would, despite a ridiculously tiny x-height, still possess a coherent harmony betwen upper and lower case, and read...