Ozdoby
Pi font. The set includes heraldic figures, leaves, decorative endings, various skull forms, weather signs, borders and much more…
font
Negro
Dark, spicy & distinctive display typefaces from the nineteenth century I had in mind when creating this font family. Extreme contrasts and sharp endings may remotely remind some blackletters, especially in narrowed styles. The...
Monarchia
The Monarchia family, consisting of three designs, is a transcription of Frühling of the German type designer Rudolf Koch, enriched by a bold and text design. The lower-case letter “a” had in the original...
Modell
This type, composed only of horizontal and vertical strokes, has been inspired by techno culture. It is appropriate for various posters and invitation cards for house-parties. It is quite illegible, therefore I would recommend...
Mediaeval
Mediaeval in printing terminology means a kind of Roman type face of Renaissance origin with strengthened round shapes; it has nothing to do with the Middle Ages. It follows up the well-tried proportions of...
Libcziowes
The spectacular Libceves gravestone dating from 1591 is completely – from top to bottom, from one side to theother – covered with lettering. It attests to the fact that in Bohemia, thirty years after Garamond’s...
Lexon Gothic
Lexon Gothic is a typical newspaper, dictionary and magazine type face. It is also very suitable for children’s books and posters. The large x-height, condensed shapes and darker colour of the basic design guarantee...
Kompressor
Another brutal techno-style type face; it matches with Modell. Both of them can be stretched and inclined electronically and they do not mind a bit. Their use, it must be admitted, is limited to...
Ideal Gothic
At the turn of the 20th century monolinear alphabets were often despised for their dullness. Typographers, therefore, took great pains to breathe some kind of individuality into the monotonous sans-serif scheme. They started with...
Genre
The official terseness and grey of Neo-Classical type faces will stand out when we narrow them. The consistently vertical shading of the letters suppresses one’s desire for eccentricity, just like tea with bromine. It would,...