Dark, spicy & distinctive display typefaces from the nineteenth century I had in mind when creating this font family. Extreme contrasts and sharp endings may remotely remind some blackletters, especially in narrowed styles. The...
by · Published May 26, 2015
· Last modified February 27, 2020
The Monarchia family, consisting of three designs, is a transcription of Frühling of the German type designer Rudolf Koch, enriched by a bold and text design. The lower-case letter “a” had in the original...
by · Published May 26, 2015
· Last modified October 3, 2015
This type, composed only of horizontal and vertical strokes, has been inspired by techno culture. It is appropriate for various posters and invitation cards for house-parties. It is quite illegible, therefore I would recommend...
by · Published May 26, 2015
· Last modified October 3, 2015
Mediaeval in printing terminology means a kind of Roman type face of Renaissance origin with strengthened round shapes; it has nothing to do with the Middle Ages. It follows up the well-tried proportions of...
by · Published May 26, 2015
· Last modified October 4, 2015
The spectacular Libceves gravestone dating from 1591 is completely – from top to bottom, from one side to theother – covered with lettering. It attests to the fact that in Bohemia, thirty years after Garamond’s...
by · Published May 26, 2015
· Last modified February 27, 2020
Lexon Gothic is a typical newspaper, dictionary and magazine type face. It is also very suitable for children’s books and posters. The large x-height, condensed shapes and darker colour of the basic design guarantee...
by · Published May 26, 2015
· Last modified October 15, 2015
Another brutal techno-style type face; it matches with Modell. Both of them can be stretched and inclined electronically and they do not mind a bit. Their use, it must be admitted, is limited to...
by · Published May 26, 2015
· Last modified May 17, 2024
At the turn of the 20th century monolinear alphabets were often despised for their dullness. Typographers, therefore, took great pains to breathe some kind of individuality into the monotonous sans-serif scheme. They started with...
by · Published May 26, 2015
· Last modified May 17, 2024
The official terseness and grey of Neo-Classical type faces will stand out when we narrow them. The consistently vertical shading of the letters suppresses one’s desire for eccentricity, just like tea with bromine. It would,...