Designed at Polygraphmash in 1953 by Igor Zhikharev, based on his handwriting. The digital version was developed in 1989 by Gennady Baryshnikov, with the assistance of Vladimir Yefimov. An informal monoline script. For use...
by · Published May 26, 2015
· Last modified May 15, 2024
Designed at ParaType in 1997 by Tagir Safayev. Inspired by Neulin Sans of Ray Gun magazine (1996). The first version of the typeface was created as part of corporate identity program for Aeroflot–Russian International...
by · Published May 26, 2015
· Last modified May 15, 2024
PT Unovis™ was designed for ParaType in 2001 by Tagir Safayev. Inspired by the shapes of lettering of the Russian Avant Garde artists of Kazimir Malevich’s circle at the beginning of the 20th century....
by · Published May 26, 2015
· Last modified May 15, 2024
PT Telingater Display™ was designed in 1959 by a well-known Soviet book designer Solomon Telingater (1903-1969) at Polygraphmash type design bureau. The typeface was awarded the Silver Medal at the International Book Art Exhibition...
by · Published May 26, 2015
· Last modified May 15, 2024
Designed in 1976–81 by Michael Rovensky (1902–1996) as the body text companion of his Bazhanov Display typeface (1961), of Polygraphmash typefoundry. Based on the lettering by Moscow book designer Dmitry Bazhanov (1902–1945). With old-fashioned…
by · Published May 26, 2015
· Last modified May 17, 2024
SB Websnap is a pixel font designed to be legible on screen at small sizes. It is suitable for use where space is at a premium, such as on banner ads, or maybe for...
by · Published May 26, 2015
· Last modified September 28, 2015
Bonislawsky pulls off a beauty in these letterforms rendered with barbed wire. In our view, it couldn’t have been done better. Now you can contain the animal in you with style.