Designed by Gudrun Zapf-von Hesse, Berthold released Nofret in 1984. This contemporary serif recalls her earlier design, Diotima. Narrower in proportion, it is an elegant typeface with calligraphic influences and beautiful italics.
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Lo-Type was designed by Louis Oppenheim and first released by Berthold in 1914. In 1980 Erik Spiekermann adapted the faces and expanded the family with the addition of a regular weight. Subtle deviations and...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Developing a new sans serif clearly distinguishable from existing sans serifs is a difficult task. Günter Gerhard Lange accomplished that with Imago, introduced by Berthold in 1982. It is narrower in proportion than others,...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Developing a new sans serif clearly distinguishable from existing sans serifs is a difficult task. Günter Gerhard Lange accomplished that with Imago, introduced by Berthold in 1982. It is narrower in proportion than others,...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Bernd Möllenstädt’s first type design, Formata, was released in 1984. Instead of linear severity common to many sans serifs, Formata offers curved strokes and interesting details that are subtle in smaller sizes but distinguishable...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Vladimir Andrich’s 1982 type design Cremona was created for the Alphatype Corporation which was later purchased by H. Berthold AG. His design, well-suited for large bodies of text, then became part of the Berthold...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Designed by Gustav Jaeger in 1982, Cosmos is an interesting sans serif with terminals that seem to fade rather than come to a distinct end. This characteristic, however, does not distract the reader. Jaeger...