Designed for attention and impact in advertising, the first Egyptians or slab serifs appeared at the beginning of the Industrial Revolution (1800s). They regained popularity following World War I and in 1930 Berthold released...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Christiana was designed for Berthold in 1991 by Gudrun Zapf-von Hesse. Its varied stroke weights and angled endings give this typeface an elegant, hand-lettered impression.
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Günter Gerhard Lange designed this “fun” typeface for Berthold in 1957. Although a departure from his more serious designs, Champion shows Mr. Lange’s diversity.
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Created for Berthold in 1982 by German designer Gustav Jaeger, Catull has a calligraphic feel with contrasting stroke weights and distinctive serifs. It is an eye-catching choice for both text and display applications. Catull...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Prior to designing Berthold Caslon Book, Günter Gerhard Lange intensively researched both the English type founder William Caslon’s 1725 types, and the Dutch forerunners of the 17th century upon which Caslon based his work....
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Designed by Albert Boton of France, H. Berthold released the Boton family in 1986. This design is often used for ad copy, and magazine and web layouts. The heavier weights of Boton are useful...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Günter Gerhard Lange extensively researched and analyzed numerous original Bodoni prints when creating Berthold Bodoni Old Face. As with all of Lange’s typefaces, he adapted this new Bodoni to meet the demands of today’s...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Günter Gerhard Lange extensively researched and analyzed numerous original Bodoni prints when creating Berthold Bodoni Old Face. As with all of Lange’s typefaces, he adapted this new Bodoni to meet the demands of today’s...
by Staff · Published December 27, 2022
· Last modified May 16, 2024
Based on Berthold’s 1913 Berliner designed by Hausschnitt, Erik Spiekermann redesigned and digitized the typeface for the foundry. H. Berthold published Berliner Grotesk in 1979. This distinctive design with a high x-height, short descenders...
by Staff · Published December 27, 2022
· Last modified May 16, 2024