AW Conqueror Std Sans
AW Conqueror Sans was born out of this desire to fuse geometric and humanistic sans. It remains a typeface fundamentally influenced by both Bauhaus spirit — with its simplified geometric forms — and Jan...
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Helsa Display
Helsa is a slim and eccentric serif for headings and short texts. It’s a modern interpretation of the narrow Elseviers of the early 20th century. The letterforms are based on Dutch samples, and in...
Diafragma
Typeface was designed in 2021-2022 by Alexey Chekulaev. It has small serifs and original contours, it’s also well read in small sizes. Each style has 1400 characters of Latin, extended Cyrillic, Greek, including small...
Mellow Sans
Mellow Sans is a soft and friendly rounded sans serif. Its bold styles are great for packages of something tasty, while light and regular ones work well in rather long texts, from a children’s...
Gate A1
Gate A1 is a typeface inspired by the famous DIN, but it is more humane compared to the prototype. Thanks to its straightforward, roughly naive construction and slightly increased letter spacing, the font is...
Nagel
Nagel is a contemporary uniwidth display sans serif for headlines and short texts. It’s a closed low-contrast typeface with an emphasis on stroke joints. The length of the line set in Nagel remains the...
Neue Haas Grotesk Display
The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann. Neue Haas Grotesk was to...
Neue Helvetica eText
A clear and enjoyable reading experience hinges on the legibility of text copy, especially when reading on screen. This is why Monotype has developed the eText collection of fonts specifically tailored for the text-heavy...
Sentinel SSm
For everyone who’s ever wished Clarendons had italics, everyone whose favorite slab serif is shy a few weights, and everyone who’s ever needed a slab serif to thrive in text: we designed Sentinel for...
Whitney SSm
A type family originally developed for New York’s Whitney Museum, Whitney contends with two different sets of demands: those of editorial typography, and those of public signage.