This childish script by Monotype designer Steve Matteson strikes a great balance between informality and legibility. The TrueType versions have been extensively tuned (hinted) for high legibility at small sizes on screen at a...
by · Published May 26, 2015
· Last modified March 5, 2025
In 1912 Gerard Meynell, with J.H. Mason, Ernest Jackson and Edward Johnston, commissioned this large x-height typeface modelled on Caslon’s designs from Pierpont and the Monotype Corporation as the text face for The Imprint,...
by · Published May 26, 2015
· Last modified December 27, 2022
Formula is one of those typefaces that never get tired of being modern, in spite of its roots being in early- to mid-twentieth century ideas. Perfect for music sleeves, signage, and all around titling...
by · Published May 26, 2015
· Last modified December 27, 2022
Fore is a fresh spin on fat display letters, with a tinge of Japanese techno design. Its unicase construct gives it a very flexible nature, which makes it very appealing to typographers who care...
by · Published May 26, 2015
· Last modified December 27, 2022
In June of 2004, Canada Type released Crucifix, a condensed three-tiers typeface that tried to bridge the gap between traditional blackletter forms and the traditional European gothics. The main goal of Crucifix was to...
by · Published May 26, 2015
· Last modified December 27, 2022
This is a deco-style text OpenType Pro font loosely based on Koch’s Locarno as seen in KochAltschrift a recent free German tribute to Koch’s work. I was familiar with Meek’s Letraset presstype version called...