font
Vienna
This early 1900s type is from the German foundry of Schelter & Gieseke, and is typical of early twentieth century design. As usual, we have added all the modern necessities, such as monetary signs...
Vanities
A Victorian type which, like so many others, was originally offered without a lowercase. As we do so often, we designed a matching lowercase for it. We also added a shaded version of the...
Sparticus
A European font from Bauer’s foundry was the inspiration for the caps in the font. There was no lowercase, so we designed one. Although the original font was intended for display lines in advertising,...
Grand Slam SG
Grand Slam is based on an old cardwriting style known as Poster Gothic. This dynamic letterstyle was used in the heyday of the Hollywood movie poster because of its powerful and snappy appeal. The...
Concerto Rounded SG
Concerto Rounded is based on a 1920s concert program lettered by Lucian Bernhard. In many respects Concerto is a toned-down version of the exceptionally light Bernhard Fashion. Concerto makes use of extensive crossbars and...
Roundhead
A surprisingly modern looking condensed sans serif issued by Mackellar, Smiths & Jordan foundry in 1887. Its narrow width makes it useful for long copy headlines. Designed by the freelance type cutter Charles Beeler...
Quadrille 2
This is a simplified Tuscan, free from excessive ruffles and flourishes. Types of this general design began to appear in profusion in the 1830, and continued as a popular form until the end of...
Memorial
The Fredrick Ullmer Co. in London acted as agent for many typefoundries, and this was one of their offerings. Some of the letters were rather outlandish, so we fearlessly decided to improve them. The...
Harlem Text
This bold blackletter is rather wide, which enhances its readability. In Victorian job printing it was not unusual to find one line of blackletter in a card or handbill, just for contrast. This one...