Rackham Italic is based on the hand lettered titles of Arthur Rackham from the book English Fairytales. The Rackham font is based on his more familiar title lettering style.
by · Published May 26, 2015
· Last modified May 15, 2024
Cruz Handy was designed by using a custom brush created with Adobe Illustrator. A digital tablet was used to draw all the characters in the font. The typestyle displays a casual free-flowing hand movement...
by · Published May 26, 2015
· Last modified May 17, 2024
Remember that kid in your class who always knew the right answer, who always had their hand raised? The first kid to finish the test, the kid who LIKED the pop quiz, the kid...
by · Published May 26, 2015
· Last modified May 18, 2024
Two typefaces from the 1923 Barnhart Brothers & Spindler specimen book have been combined to produce this gem. Swagger Capitals, designed by Carl S. Junge, for the uppercase and Gothic Novelty Title for the...
by · Published May 26, 2015
· Last modified May 18, 2024
If you wanted to send out a party invitation in 1923, Barnhart Brothers & Spindler recommended this typeface, which was originally called, simply, “Greeting Card”. It also appears to be suitable for greetings from...
by · Published May 26, 2015
· Last modified May 18, 2024
This bold, bodacious blackletter typeface is based on an offering from the 1832 Boston Type Foundry catalog. Although it generally appears to be a sober Old English font, there are a few quirky turns...
by · Published May 26, 2015
· Last modified May 18, 2024
The exuberant, if somewhat unorthodox, letter stylings of British poster artist Cecil Wade inspired this offering. The font has extensive kerning to keep the letters packed tight. Both versions of the font include the...
by · Published May 26, 2015
· Last modified May 18, 2024
The 1923 Barnhart Brothers & Spindler specimen book called this typeface “Cardstyle”, and suggested its use at small sizes for business cards. It also work quite well in large sizes when a warm, casual...