A strong geometric font of lowercase letter only, with the look and feel of Jazz-age neon. Both versions of the font include the 1252 Latin and 1250 CE character sets (with localization for Romanian...
by · Published May 26, 2015
· Last modified December 28, 2022
Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting...
by · Published May 26, 2015
· Last modified December 28, 2022
Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting...
by · Published May 26, 2015
· Last modified December 28, 2022
Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting...
by · Published May 26, 2015
· Last modified December 28, 2022
Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. One is designed specifically for headline typesetting (SH: Scangraphic Headline Types) and one specifically for text typesetting...
by · Published May 26, 2015
· Last modified October 2, 2015
A charming headline font, bold yet feminine, based on Lilith, designed by Lucien Bernhard for Bauersche Gießerei in 1930. Some of the fussier elements of the original have been removed in order to create...
by · Published May 26, 2015
· Last modified February 27, 2020
The Scriptorama Family pays tribute to hand lettered signage of the mid twentieth century. The three styles…”Hostess”, “Markdown” and “Tradeshow”, represent different aspects of handpainted scripts ranging from slightly 60s retro with Hostess, to…
by · Published May 26, 2015
· Last modified May 17, 2024
Designed by Nick Shinn. Digitally engineered by Steve Jackaman. Humanist sans serif with a calligraphic cut and tall ascenders. Light, Medium and Extra Bold designed by Nick in 1985 for Typsettra; Steve added the...