ALS Mirta is a clean text type well-suited for use in typesetting of smart volumes and kids’ books. A fine and well-balanced antiqua face is complemented by surprisingly vigorous sophisticated italics.
by · Published May 26, 2015
· Last modified December 28, 2022
A simple rough font. Kraft is a rough techno-style sans serif meant for setting text in all capitals. Instead of lowercase letters there are capitals of smaller height but with the same stroke width....
by · Published May 26, 2015
· Last modified December 27, 2022
We took a distressed-looking Victorian type called Cabinet and redesigned it with clean lines to make it more suitable for today’s decorative work. Quite readable in all sizes.
by · Published May 26, 2015
· Last modified December 27, 2022
Redrawn from a strange type originally made about 1850, and sold by the Connors Foundry, New York. We cannot guarantee that Connors originated it, since they were among the first to have facilities for...
by · Published May 26, 2015
· Last modified December 27, 2022
Originally issued as Palm from the A. D. Farmer Foundry in New York, about 1887. This is a good early example of the transition from the ruffles and fluorishes of Victorian fonts to the...
by · Published May 26, 2015
· Last modified December 27, 2022
This is a fake and a fraud and not a bad-looking type. We did this to imitate the look of an old wood poster font, but it is completely new. Don’t tell anyone. Please...
by · Published May 26, 2015
· Last modified December 27, 2022
This is Solotype’s version of a popular mid-nineteenth century style explored by several early foundries. It reads surprisingly well in paragraphs, and is a handy font for work with a Victorian theme.
by · Published May 26, 2015
· Last modified December 27, 2022
This stylish lightface was designed by Bernd Nadall for Barnhart Bros. & Spindler as a caps-only font in 1895. The lowercase was added at Solotype a hundred years later, resulting in a font quite...