This revival of the Bruce Foundry’s No. 11 is typical of the nineteenth century types derived from the work of Didot and Bodoni; the face remains popular with lawyers and government printers. In fact,...
by · Published May 26, 2015
· Last modified May 18, 2024
The standard paperclip is the basic idea behind this Alpha Delta. By working on it, I changed it so that it doesn’t look too much like a paperclip any more. Things happen, Gert Wiescher
by · Published May 26, 2015
· Last modified December 28, 2022
Every possible character in the standard encoding set has been designed, using a block system which is based on varying shapes, rather than the more common grid or dot-based signage systems. Each font contains...
by · Published May 26, 2015
· Last modified May 18, 2024
Tandelle is a sans-serif typeface that operates efficiently when there is a limited amount of horizontal space available. Flat points on verticals such as “A” and sharp points on horizontals such as “Z” make...
by · Published May 26, 2015
· Last modified December 27, 2022
Based on one of the earliest Tuscans, from Thorowgood’s foundry. The original was very poorly rendered in 1822, but keep in mind that decorative types were still quite new in the early 1800s. We...
by · Published May 26, 2015
· Last modified December 27, 2022
An ideal face for blocks of copy when you want them to look old. Very readable. Another faithful rendition of the original from the Keystone foundry. Actually several foundries worldwide offered this font.