Vandermark began as a simple daydream of what became the ‘n’ glyph. I considered the elegant balance of a terminal stroke that would never join its supporting stem. The premise was simple, but further...
by · Published May 26, 2015
· Last modified December 28, 2022
Sansarah began as a custom type commission for Columbia College, Chicago. Sarah Faust, photographer and designer on the school’s Creative Services staff, had been contributing her own handwriting to the brand. When it came...
by · Published May 26, 2015
· Last modified May 19, 2024
Cusp is a display font that was initially inspired by austere Art Deco lettering. After the capitals were refined, then the lowercase was designed with a bit of techno flair. From these basic letterforms...
by · Published May 26, 2015
· Last modified May 18, 2024
Red Tape is three fonts that were designed by sticking letters together with red tape. It makes for a wonderful makeshift set of fonts. And I really enjoyed sticking those letters together. Of course...
by · Published May 26, 2015
· Last modified May 18, 2024
Soap is a captivating unicase headliner which looks like Cooper Black but even smoother. You’d think the original typeface was laid-back and cool enough, but Soap takes it to the next level. It’s spaced...
by · Published May 26, 2015
· Last modified December 28, 2022
Rickety was inspired by a lettering style that my friend Chris May had been using in his silkscreen projects. I collaborated with him on the full character set to produce this digital version. It...
by · Published May 26, 2015
· Last modified December 28, 2022
Lump started as a series of hand-drawn buttons I made for a Lumpen event in 2005. This digital version keeps the linework loose and the corners choppy. Use Lump wherever you need a hefty...