Red Tape is three fonts that were designed by sticking letters together with red tape. It makes for a wonderful makeshift set of fonts. And I really enjoyed sticking those letters together. Of course...
by · Published May 26, 2015
· Last modified May 18, 2024
Soap is a captivating unicase headliner which looks like Cooper Black but even smoother. You’d think the original typeface was laid-back and cool enough, but Soap takes it to the next level. It’s spaced...
by · Published May 26, 2015
· Last modified December 28, 2022
Rickety was inspired by a lettering style that my friend Chris May had been using in his silkscreen projects. I collaborated with him on the full character set to produce this digital version. It...
by · Published May 26, 2015
· Last modified December 28, 2022
Lump started as a series of hand-drawn buttons I made for a Lumpen event in 2005. This digital version keeps the linework loose and the corners choppy. Use Lump wherever you need a hefty...
by · Published May 26, 2015
· Last modified December 28, 2022
Heroic Condensed is the graphic embodiment of the idealized, no-nonsense, narrow grotesque. From poster design to editorial layout, Heroic Condensed is intended for a range of uses—a worthy addition to any designer’s font collection....
by · Published May 26, 2015
· Last modified December 28, 2022
Fatty is based on the lettering in a series of silkscreened posters by my friend Chris May. Upon transforming it into a full-fledged digital font, I developed alternate letterforms for the lowercase. The bloated...
by · Published May 26, 2015
· Last modified December 28, 2022
There are no straight lines in Everafter. The vectors were all drawn and tweaked by hand (and mouse) for a softened, wobbly appearance. The result is a naive serif type that doesn’t take itself...
by · Published May 26, 2015
· Last modified December 28, 2022