At the turn of the millennium, Petr van Blokland conceived Productus as the humanist sanserif companion to his prizewinning oldstyle Proforma. Petr has shaped the pair as an ideal vehicle for distinguished corporate design,...
by · Published May 26, 2015
· Last modified September 26, 2015
Spanish for press, Prensa is a new series from Cyrus Highsmith. He arrived at this family’s character through his process of “wrapping outside curves around the inside, deliberately creating tension between the two,” a...
by · Published May 26, 2015
· Last modified October 6, 2015
Living in Pittsburgh, Christian Schwartz registered the industrial grit in the forms of capitals and numbers on license plates in Pennsylvania the rhythms of vertical and horizontal alignment without implications of typewriter or lineprinter....
by · Published May 26, 2015
· Last modified October 18, 2015
Occupant Gothic typographically embodies Cyrus Highsmith’s caffeinated vision of the urban environment. The letters are drawn with the fast straight lines that dominate his illustrative sketching style. Form and counterform carefully push and pull…
by · Published May 26, 2015
· Last modified September 16, 2015
Jacqueline Sakwa displays a taste for adventurous combinations. She introduces calligraphic variation on conventional forms and combines them with professional finesse. The exceptional clarity of Minah’s broad letterforms and small x-height open new…
by · Published May 26, 2015
· Last modified December 28, 2022
Facebuster is a no-nonsense block serif display typeface with hard geometry and minimal negative space. It’s ideal for making a strong yet playful statement. It comes equipped with OpenType Small Caps.
by · Published May 26, 2015
· Last modified December 28, 2022
Cooter Slim is Cooter’s condensed sibling, perfect for young and scrappy marketing campaigns, silkscreened protest signs, or your indie band’s latest t-shirt design. It’s got loads of DIY charm and makes a 57% narrower...