Stuart Standard
Punchcutters (when types had to be cut, and not just drawn), were working with steel, a strong metal they had to sculpt. They were subject to physical contingencies: each type cast was engraved separatly...
font
Stuart Pro
Punchcutters (when types had to be cut, and not just drawn), were working with steel, a strong metal they had to sculpt. They were subject to physical contingencies: each type cast was engraved separately...
Palma
Handwriting fonts have a great disadvantage when it comes to double letters: they look fake. With Palma come loads of ligatures for double letters to make your design look authentic (as shown on the...
CamingoDos Pro SemiCondensed
CamingoDos Pro SemiCondensed fills the gap between CamingoDos Pro and CamingoDos Pro Condensed and combines them to a homogeneous and versatile type family. The flexibility of the semi-condensed version makes it a typographic all-rounder....
CamingoDos Pro
CamingoDos Pro is provided with tight shapes and elliptic roundings. With the aspect of legibility on mind these attributes were applied carefully. Along with a subtle contrast between thick and thin strokes CamingoDos has...
French Ionic
This would be a Clarendon if it weren’t for the cute serifs, which set it apart. Reads well in copy blocks.
Fat Face No. 20
This is almost a necessity if you are doing reproductions of mid-19th century posters and playbills.
Fancy Dan
We had a dozen or so letters of this of this, picked up at the flea market in Vienna. The rest came from our imagination.
Bamberg
A compressed wood poster type from the mid-1800s. Certainly handy for excessive copy on a single line.
Farnham
German-born punchcutter Johann Fleischman, contemporary of Baskerville and Fournier, worked at the Enschede Foundry in Haarlem. Expert in advanced tools and the qualities of fine steel, he pushed beyond the frontiers of his time,...