Harbour is a clash of Latin and Germanic typestyles – two conflicting letterforms, culturally, politically and aesthetically. Latin letterforms have a geometric base, blackletter types are calligraphic. Harbour takes calligraphic forms that derive…
by · Published May 26, 2015
· Last modified December 28, 2022
A semi text type with thin stresses, in Granite Semi Stencil the overall weight of the Granite Regular has been decreased by a set unit which has obliterated the stress to leave white space....
by · Published May 26, 2015
· Last modified September 29, 2015
Designed for the Glasgow 1999 typeface competition, Factory explores the idea of taking elements from Gaelic letterforms (as an historic British typestyle), such as the use of cut-off curved forms that suggest the action...
by · Published May 26, 2015
· Last modified December 28, 2022
A contemporary interpretation of grotesque (historic) typestyle, relying on geometric shapes applied to a grid. Idiosyncrasies within the typeface are based on how this grid is constructed and applied rather than those inherent in...
by · Published May 26, 2015
· Last modified October 12, 2015
A script typeface drawn with a ball point pen, beautiful but idiosyncratic, distinctively modern rather than classical, writing rather than calligraphy.