Designed for the Glasgow 1999 typeface competition, Factory explores the idea of taking elements from Gaelic letterforms (as an historic British typestyle), such as the use of cut-off curved forms that suggest the action...
by · Published May 26, 2015
· Last modified December 28, 2022
A contemporary interpretation of grotesque (historic) typestyle, relying on geometric shapes applied to a grid. Idiosyncrasies within the typeface are based on how this grid is constructed and applied rather than those inherent in...
by · Published May 26, 2015
· Last modified October 12, 2015
A script typeface drawn with a ball point pen, beautiful but idiosyncratic, distinctively modern rather than classical, writing rather than calligraphy.
by · Published May 26, 2015
· Last modified December 27, 2022
Almost a straightened italic typeface, August explores the idea of taking italic and script letterforms out of context and creating a typeface with a mix of references that does not look like too soft...
by · Published May 26, 2015
· Last modified December 27, 2022