Dom was designed by Peter Dombrezian for American Type Founders in 1951–52. It is an informal unjoined script typeface that looks brushwritten. Its letters are almost monotone, freely or casually drawn. Vertical strokes of...
by · Published May 26, 2015
· Last modified May 15, 2024
A stencil typeface designed by Andrey Belonogov. Some discrepancy of uppercase and lowercase letterforms seems to be occasional which is typical for hand-made stencil advertisements. For use in display typography. Released by ParaType in...
by · Published May 26, 2015
· Last modified May 15, 2024
An original display typeface designed by Andrey Belonogov. It was originally named Rouble and under this name it was awarded a first degree diploma of the Typefaces nomination at the “Graphite” Graphic Design Festival, 1999, and...
by · Published May 26, 2015
· Last modified May 17, 2024
A casual sans that harks back to the very English style of book jacket and poster art of the late 50’s and early 60’s. The turned-in terminals are reminicent of Stephenson Blake’s Grotesque 9,...
by · Published May 26, 2015
· Last modified May 17, 2024
Designed originally for the BBC’s listings magazine “Radio Times”, this dingbat font has been extended to include the US rating as well as the UK ones and a selection of symbols for use on...
by · Published May 26, 2015
· Last modified May 18, 2024
Many fabulous creatures were created for use on heraldic crests. The Heraldic Creatures font is an assortment of simplified renderings of some of these creatures. There is a total of 47 creatures all located...
by · Published May 26, 2015
· Last modified May 18, 2024
Marion is a transitional serif typeface with nineteenth-century flair. It has the general structure of Century Roman with a stroke treatment that’s closer to Baskerville Rather that one specific influence, Marion was inspired by...
by · Published May 26, 2015
· Last modified November 6, 2024
New Lincoln Gothic is an elegant sanserif, generous in width and x-height. There are twelve weights ranging from Hairline to UltraBold and an italic for each weight. At the stroke ends are gentle flares,...
by · Published May 26, 2015
· Last modified November 6, 2024
A design on classical lines with subtle but effective calligraphic touches, by Arthur Baker for VGC. The Bold version is used for the Coke logo all over the world.
by · Published May 26, 2015
· Last modified May 15, 2024
A set of astronomical signs (symbolic representation of the Sun, the Moon, planets and other celestial bodies as well as zodiacal constellations, phases of the Moon, etc), signs of Chinese Zodiac and several ornamental...