Terror JNL
Creepy…crumbly…spooky… that’s Terror JNL. Originally an experimental outline font made in the early days of Jeff Levine’s typographic work, it’s been revised and properly spaced for the design professional. The font is based on...
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Recovery
Recovery brings history to bear when the blackest type is called for. Charles Coiner’s identity for the depression-era National Recovery Administration included an alphabet of heavy art deco forms distilled with a chemistry set...
Black Monday
Black Monday is based on the classic font Eagle Bold. Three sets of uniquely eroded letters automatically cycle to create a worn vintage look.
Reservation Wide
Reservation Wide is intended for headlines with its relatively snug letterspacing and extended forms. Its simplicity will accommodate smaller sizes and lower resolution displays. OpenType Stylistic Alternates for characters ‘a’, ‘g’ and ‘t’ lend...
Daub
Daub captures the look of old-style graffiti—it’s graffiti from the days when vandals used a brush and a pot of white paint. Not an airbrush or aerosol in sight. Use Daub to give headings...
HT Farmacia
This is a monoline script without descenders. Its tail gives us cute and lovely impression, but it is also methodical and punctual. Holiday Type Project offers retro hand drawing scripts. Inspired by retro script...
Out Back
A twice-painted sign in Tobago’s back country was the seed for this weird grab-bag of chunky, slightly sleazy letterforms.
Nofret BQ
Designed by Gudrun Zapf-von Hesse, Berthold released Nofret in 1984. This contemporary serif recalls her earlier design, Diotima. Narrower in proportion, it is an elegant typeface with calligraphic influences and beautiful italics.
Nero BQ
Designed by Professor Friedrich Poppl (1923-1982) for Berthold in 1982, Nero is the 10th Poppl design available exclusively from Berthold. He died before seeing this timeless typeface commercially released. Poppl extended his calligraphic experience…