Sebastian Pro
Sans-serif typefaces compensate for their basic handicap – an absence of serifs – with a softening modulation typical of roman typefaces. Grotesques often inherit a hypertrophy of the x-height, which is very efficient, but...
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I Am A Bird
I Am a Bird is a slab serif with some unexpected curves. Comes complete with italics, old style numerals, tabular numerals, logic and math symbols, Greek characters, and lots of accented glyphs. Performs particularly...
Silicone
Silicone is a synthetic, smooth typeface. Its soft strokes and letterforms will express your message in a calm, high-tech voice. Silicone is available in seven weights, ranging from chunky to laser thin, with italics...
Ahmed
Ahmed is a modern Arabic headline face, first produced by Linotype-Hell Ltd. in the early 1980s. Originally developed as a simplified face, its design recalls the inscriptional and decorative tile work lettering of the...
Ad Pro
Roman Sehrer, a seasoned German advertising professional, digitized his handwriting to create this family of three fonts. Sehrer recommends this family for posters, logos, and restaurant menus. It works well with traditional sans serifs...
1491 Cancellaresca
This font was inspired by the very well-known humanistic script called “Cancellaresca”. This variant was used by a lot of calligraphers in the late 1400s, specially by the Venetian Giovannantonio Tagliente, whose patterns were...