Mira is a playful, decorative Art Nouveau font, released by Roos & Jung Foundry in Offenbach AM, Germany about 1902. The exaggerated serifs and the sharp contrast between the thick and thin strokes gives...
by · Published May 26, 2015
· Last modified December 28, 2022
Outrage is highly disfigured to the verge of illegibility. The base font is Fiendstar Bold Condensed and the distress pattern is derived from a series of semi-abstract paintings. The result screams.
by · Published May 26, 2015
· Last modified December 28, 2022
A rounded geometric font of uniform stroke weight. All strokes have rounded ends and with the exception of the math symbols, there are no diagonal strokes.
by · Published May 26, 2015
· Last modified May 15, 2024
Suitable for headlines, subheads and short copy blocks, this decidedly Deco number is based on Willard T. Sniffin’s Hollywood, designed for American Type Founders in 1932. A few of the fussier details have been...
by · Published May 26, 2015
· Last modified May 18, 2024
An extremely low midline marks this offering, based on an “elegant” alphabet found in Samuel Welo’s chapbook, Lettering: Modern and Foreign, published in 1930 by Frederick J. Drake and Company. Definitely different, and Deco...
by · Published May 26, 2015
· Last modified May 18, 2024
This elegant face with a few semi-script flourishes is based on Morris Fuller Benton’s Announcement Roman, designed for American Type Founders in 1917. It’s perfect for invitations, programs and all kinds of formal ballyhoo....
by · Published May 26, 2015
· Last modified May 18, 2024
Morris Fuller Benton’s Eagle, designed for ATF in 1934, which did yeoman-like duty on many WPA posters of the time. This version, unicase as was the original, has been designed to set tight, so...