A rather droll unicase typeface, discovered in a 1970s chapbook of suggested lettering for Soviet propaganda posters, inspired this bouncy beauty. Way more fun than a barrel of Volga Boatmen. The PC Postscript, Truetype...
by · Published May 26, 2015
· Last modified May 18, 2024
In 1936, Erich Mollowitz designed a typeface named »Rheingold Kräftig« for the German type foundry J. D. Trennert & Sohn (Hamburg-Altona). The original letterforms have been extended and beefed up a bit, and the...
by · Published May 26, 2015
· Last modified May 18, 2024
An offering from Barnhart Brothers & Spindler’s Catalog No. 9 from 1907, with the rather prosaic name of “Lining Gothic No. 71”, inspired this non-nonsense and surprisingly ageless face. As versatile as it is...
by · Published May 26, 2015
· Last modified May 18, 2024
This robust, roly-poly typeface is patterned after a 1974 release from the Ludwig & Mayer foundry of Frankfurt am Main named Big Band, and designed by Karlgeorg Hoefer. The type color is even darker...
by · Published May 26, 2015
· Last modified October 9, 2015
Long-time work of a revival of a baroque font of 1720, after Johann Rudolf Genath II, Stockmar was primarily designed with three italics (more or less geometrical, cursive, dynamic). This work and details can...
by · Published May 26, 2015
· Last modified October 6, 2015
Goupil is based on baroque proportions letters. But, it can only be read through its thin shadows. So, Goupil is a light face, for refined and aerial titles. Titling face does not necessary mean...
by · Published May 26, 2015
· Last modified October 2, 2015
Glovis is a ‘typewriter’ font — meaning monospaced (all characters use the same width) — and is also italic. But the italic style was originally created to take less space than roman: its letters...
by · Published May 26, 2015
· Last modified October 14, 2015
Ecstrat is not a ‘serious’ typeface, but a contemporary version of ornamented ‘flowered’ letters of the eighteenth century, like those of Pierre-Simon Fournier le Jeune and Jacques-François Rosart. Only in capitals: its use is...
by · Published May 26, 2015
· Last modified October 12, 2015
Brett is a rounded bitmapped typeface, with strange serifs. With its elegant — even quite useless — small caps and its ‘old style’ ligatures (like ‘ct’ or ‘st’), it found itself half-way between ‘techno’...
by · Published May 26, 2015
· Last modified May 18, 2024
In 1956, Schriftgeißerei Genzsch & Heyse released the pattern for this typeface, designed by Werner Rebhuhn, under the name “Hobby”. Despite its Eisenhower-era origins, the face retains its casual charm, spontaneity and freshness even...