Punavuori is a clean geometric unicase font. It’s best for display use in magazines, books & posters. Punavuori font was originally designed in 2002. Now it’s been remade with the complete character set and...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Linja is an elegant ultra condensed font. It’s best for display use in magazines, books & posters. Linja font was originally designed in 2002. Now it’s been remade with the complete character set and...
by · Published May 26, 2015
· Last modified December 28, 2022
One of the earliest fonts published by Canada Type was Almanac, Phil Rutter’s digitization of Imre Reiner’s 1957 calligraphic typeface, London Script. In 2007, when the font was revisited for an update, it was...
by · Published May 26, 2015
· Last modified May 18, 2024
Every type library needs a generic, comicbook-style “POW!” font, and this one is ours. Breezy, bouncy and bold, it’s the perfect choice for rock-em, sock-em headlines. Both versions of the font include 1252 Latin,...
by · Published May 26, 2015
· Last modified May 18, 2024
Based on a typeface named “Viola Flare”, issued by Franklin Photolettering in the 1970s, this version has been kerned for every possible letter combination, so you can mix the swash uppercase letters with the...
by · Published May 26, 2015
· Last modified May 18, 2024
The pattern for this classic typeface was originally called “Viking Oldstyle”, from the 1909 H.C. Hansen Type Foundry catalog. To enhance its weathered look, the inside corners have been rounded to simulate ink buildup...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Morover is a lively display Fraktur, which manages to combine legibility with hand-drawn charm. All letterforms are carefully hand constructed to bring great legibility and clarity to the family of two faces-ideal for seasonal...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
This font is based on a lot of the downtempo culture in Paris. Smoky bars, jazz clubs, that sort of thing. How a font can be influenced by intangibles is a question that I...