font

Wilke

Wilke font

This font is a late work of the famous Berlin font artist Martin Wilke. Presented by Linotype AG in 1988, Wilke is a lively font with eccentric, playful forms. Wilke was influenced in part...

Wilhelm Klingspor Gotisch

Wilhelm Klingspor Gotisch font

Wilhelm Klingspor Gotisch appeared in 1925 with the Klingspor font foundry in Offenbach, Germany. Designer Rudolf Koch based his work on the Gothic forms of the 14th century and his broken letter font is...

Wiesbaden Swing

Wiesbaden Swing font

German designer Rosemarie Kloos-Rau created Wiesbaden Swing in 1992 for Linotype. This light, informal typeface is based on her own handwriting, and the strokes have a feeling of spontaneity and energetic flair. Characters like...

Kengwin

Kengwin font

One of the most commanding rounded slab serif types ever created. The pleasantly overweight Kengwin will communicate your message with confidence, warmth, and a zest for life. Most Latin-based European writing systems are supported,...

Gleaming the Cube

Gleaming the Cube font

Gleaming the Cube is a display typeface from the late 1980s/early 1990s. This is a small cap typeface, so try capitals at both the beginning and end of a word for a totally rad...

Tagged Two

Tagged Two font

This family is intended to be a universal font generator for languages of unknown civilizations or simply a tool for creating graffiti-like ornaments. Inspired by both my own paintings and drawings and graffiti. Set...

Tagged One

Tagged One font

This family is intended to be a universal font generator for languages of unknown civilizations or simply a tool for creating graffiti-like ornaments. Inspired by both my own paintings and drawings and graffiti. Set...

Just Boys

Just Boys font

Silhouette font designed to be used as a decorative element within layouts and illustrations. Featuring boys and toys in everyday life situations. Inspired by my kids and their friends playing, running, fighting and expressing...

Wendy

Wendy font

Weiss

Weiss font

In this face designed for Bauer in the twenties, Emil Rudolf Weiss used tiny serifs with many inversions and alternative forms to create the mannered texture peculiar to this form.