Alice is a formal fantasy font. It’s inspired in the fairy tales and magical lands that my mother used to tell me as a child when I went to sleep. The capitals are really...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Here’s a retooling of the Art Deco classic Novel Gothic, designed by Morris Fuller Benton and Charles H. Becker for American Type Founders in 1929. We’ve added a little sparkle to this classic with...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This distinctive titling face is based on Elegant Lichte, designed by Hans Möhring for D. Stempel in 1928, with the helpful addition of a lowercase not found in the original. It functions equally well...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
This rough-hewn offering is patterned after Antikva Margaret, designed by Zoltán Nagy for VGC in the mid-60s. Its energetic and, at times, eccentric letterforms make this face a perfect choice for headlines and subheads...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Alpha Midnight, reconstructed from an unnamed source by Dick Pape for Solotype, provided the pattern for this big, bold, unconventional stencil face, sure to grab your readers’ attention. Both versions include the complete Latin...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Eh, what’s up, Doc? This cuddly little oddball of a typeface was originally released under the rather unlikely name of Hercules by the Amsterdam Typefoundry in 1926. This face includes OpenType Stylistic Alternates for...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Put the kettle on and break out the biscuits. This no-nonsense stencil face is a faithful recreation of Tea Chest, released by the Stephenson Blake Type Foundry in 1939. Its bold strokes and slender...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Deutsch Black, designed by Barry Deutsch for VGC in 1966, provided the inspiration for this extrabold exercise in heavy ink coverage. A number of variants, in lowercase slots, were added to offer flexibility to...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Schmallfette Binder-Style, designed by Joseph Binder and released by D. Stempel AG in 1959 provided the template for this upright, set-tight display face. Its rather unconventional placement of the crossbars on the f and...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
A bold but nevertheless pleasant black-letter font which was released for the first time about 1840 by the Haenel’sche Printshop and Letterfoundery in Berlin. Haenel Fraktur contains a bunch of useful ligatures, and by...