An isolated typeface design with a calligraphic flavor. The Nastarkib font family employs visual features from the Urdu Persian Nastaliq Calligraphy. Visual connectivity is accomplished by overlapping glyphs with downward slopes. This font family…
by Staff · Published May 26, 2015
· Last modified December 28, 2022
A connected typeface design with a calligraphic flavor. The Lahab (Arabic for flame) font family employs visual features from the Arabic Diwani Calligraphy. It has six members, normal, bold, and light, all of which...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
A completely isolated letters typeface design with an overall Hebrew look and feel. Glyphs were designed with an emphasis on isolation and vertical feel with a visual connectivity measure to help easy reading. The...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
This clean sans serif font was created to assist designers in creating logos. Its heavy, bold, block design helps grab attention, while the line through the top half creates movement.
by Staff · Published May 26, 2015
· Last modified December 28, 2022
An isolated letters display typeface design which emphasizes the vertical stems and has an overall Arabian tales and oriental look and feel. All letters start with a prominent vertical stem shaped as pirate sword...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
The Verdana typeface family was designed specifically to address the challenges of on-screen display. Verdana was originally designed by world-renowned type designer Matthew Carter, and tuned for screen display by the leading TrueType hinting…
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Originally designed in 1996 by Matthew Carter and hand-tuned for the screen by Tom Rickner. The Georgia typeface family received a major update in 2010 by Monotype, The Font Bureau and Matthew Carter. Georgia...
by Staff · Published May 26, 2015
· Last modified May 18, 2024
Glass Light was designed in 1912 by Franz Paul Glass for the Genzsch & Heyse foundry. The font is stylewise related to the “Lo types” of the same period. Glass designed a lot of...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Triumphant, vigorous and strong. These were the keywords for the design of Girga, named after an Egyptian city in the Sohag Governorate. The power and strength of the Egyptian letterforms were balance with a...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Fox Grotesque is another member of the Fox Family and stylistically finds itself between Fox TRF (with some extreme curly lowercase letters), and Fox Sans (a cold geometric sans-serif). While the typeface is intended...