This small family can be counted as 4 fonts in 2. Because both weights contain small caps, 12 sets of stylistic alternates, and a decorative swashed form. That’s not counting dozens of ligatures in...
by Staff · Published May 26, 2015
· Last modified December 28, 2022
Zygon Regular is a shape changing, unicase display font inspired by British cultures and transcultural theory. Zygon Regular was inspired by the 2012 Royal Diamond Jubilee and the notion that the Jubilee, as a...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Originally drawn as a rebranding proposal for a fashion house, Oban takes inspiration from Thorowgood types and from sample books of wood cut fonts from the late nineteenth century, with their spirited and expressive,...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
As with all our typefaces, we are searching for a point of difference, something that separates them from their surroundings. The idea of a seriffed script typeface is interesting, as the two are very...
by Staff · Published May 26, 2015
· Last modified May 19, 2024
Aspic was inspired by the handwriting and drawings of Robert Blechman. Although informal, squiggly and even sloppy, Blechman’s work communicates a quiet dignity which this font aspires to.
by Staff · Published May 26, 2015
· Last modified December 27, 2022
Asperity, Asphalt and Aspic, were designed for Another magazine issues 18 and 19, A typeface in three versions, Hard, Soft and Script, three typefaces with the same character shape, where hard is angular, Soft...
by Staff · Published May 26, 2015
· Last modified December 27, 2022
A typeface designed for Another Man magazine. A simple geometric, monoline framework allowed for a stylistic consistency over three variations. Regular – a ‘standard’ alphabet; Upper Lower – where upper case characters are replaced...