The gifted Hungarian punch-cutter and printer Miklós Kis was active in Amsterdam in the 1680s. Among the many fonts that he cut during those years were a ‘mediaen’ (pica-sized) roman and italic, and the...
Tavolga have the mood of brushed feeling and come across as friendly and gentle. The harmony of organic and smooth shapes makes Tavolga uniquely appealing for display and titling where special expression is required....
Fungia is the result of an experiment to remelt loose natural forms to a coherent structure of a typeface. The idea appeared as a kind of joke: what letters look like if based on...
Creata is a sans serif typeface with a wide range of application. The font family contains 14 weights (7 straight with match italics). The overall design is neutral but some letters has pretty unusual...
Fungis is a somewhat ‘brother’ of Fungia. These two typefaces were conceived simultaneously as an experiment on designing typeface based on natural shapes. In both cases it was mushrooms. Of course the main theme...
Kröwn is a ruthless display font family. It is presented in three styles that can be used stacked to create beveling and dimensional effects. Kröwn’s most distinctive feature is the absence of counter shapes,...
Eponymous is an Egyptian-style typeface with chunky, scalloped serifs. It is available in five weights in both roman and italic. I have always loved slab serif type and have created Eponymous to fulfil a...
Fnord is a contemporary humanist serif typeface, it is ideally suited for display purposes, titling, headline copy and branding. The family has been designed to be highly versatile, containing a total of 23 fonts....
Say hello to Didonesque – inspired by classic Didone typefaces that are synonymous with luxury brands, it is a highly versatile and elegantly stylish font family. It is inherently a display typeface and therefore...
Meccanica is pretty unique and difficult to describe, suffice to say that it’s a geometric sans typeface with some hexagonal DNA. Meccanica’s defining features include soft, chamfered edges, angular bowls and shoulders, angled/hexagonal terminals…